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Robert Johnson - King Of The Delta Blues Vol 1 & 2 - Vinyl
A$38.99
When this collection was first released, back in 1961, it soon became the bible of that decade's folk-blues revival, a set of songs which had scorched deep lines in the blues psyche, subsequently modified, electrified and boogie-fied. This reissue also includes a freshly exhumed alternative take of "Travelling Riverside Blues", as good an excuse as any to upgrade from old vinyl. The original album pulled together all of Johnson's classic songs, his ghost suddenly made corporeal for a generation that had only heard of the rare 78s via whispered rumour. "Cross Road Blues", "Terraplane Blues", "Hell Hound On My Trail": they're all tortured cries for help, Johnson most likely at the end of his teens when he recorded his only two sessions, first in 1936, then 37. He was a complete individual: these songs may well be fodder for countless cover versions, but few modern artists can hope to reproduce the originator's stylistic mannerisms. Johnson favoured uneven lines, unpredictable emphasis, strumming and plucking around an implied central melody.
Robert Johnson - King Of The Delta Blues Vol 1 & 2 - Vinyl
A$38.99
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When this collection was first released, back in 1961, it soon became the bible of that decade's folk-blues revival, a set of songs which had scorched deep lines in the blues psyche, subsequently modified, electrified and boogie-fied. This reissue also includes a freshly exhumed alternative take of "Travelling Riverside Blues", as good an excuse as any to upgrade from old vinyl. The original album pulled together all of Johnson's classic songs, his ghost suddenly made corporeal for a generation that had only heard of the rare 78s via whispered rumour. "Cross Road Blues", "Terraplane Blues", "Hell Hound On My Trail": they're all tortured cries for help, Johnson most likely at the end of his teens when he recorded his only two sessions, first in 1936, then 37. He was a complete individual: these songs may well be fodder for countless cover versions, but few modern artists can hope to reproduce the originator's stylistic mannerisms. Johnson favoured uneven lines, unpredictable emphasis, strumming and plucking around an implied central melody.
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